Adriana Ramić


b. Chicago, IL

One and two person exhibitions

Internal Time, Autokomanda, Belgrade, Serbia *
In Practice: Adriana Ramić, SculptureCenter, New York, NY
It also disappears, inge, Plainview, NY
Memory Intensified by Hand of Manual World, lower_cavity, Holyoke, MA
NOVI, Hessel Museum of Art, Annandale-On-Hudson, NY
Touch is a Bridge, with Micah Schippa, Hotel Art Pavilion, Brooklyn, NY
Interesting Things About Human, Osnovna Škola Đura Jakšić, Serbia
Machine that the larvae of configuration, Kimberly Klark, Queens, NY
Rome Was Built For a Day, with Fabian Bechtle, curated by Marie Egger, Kunstinstituut Melly, Rotterdam, Netherlands

Group exhibitions

Half-Light, KW Institute for Contemporary Art, Berlin, Germany *
It just has to wear out, Galeria Wschód, New York, NY *
Betweenness: Technoculture and the Baltics, Kim? Contemporary Art Centre, Riga, Latvia
KARMACOMA, Anna Laudel Gallery / ZAI Bodrum, Bodrum, Türkiye
Amores Perfeitos, A Maior, Viseu, Portugal
encapsulated, Caves gallery, Melbourne, Australia
Bursting Bubbles, curated by Weekends, Den Frie Center of Contemporary Art, Copenhagen, Denmark
left gallery: rite of access, Stroom den Haag, the Hague, Netherlands
Stoneroses 8 invited by Kinderhook & Caracas, Brücke Museum, Berlin, Germany
note: standing prop, Manila Institute, 55 Walker, New York, NY
Sheep Mountain Summit, AMUR Initiatives, Sheep Mountain, WY
STANDING STILL LYING DOWN AS IF, Museum of Contemporary Art Detroit, Detroit, MI
Honeycomb, curated by Irina Lotarevich, Vienna, Austria
obsequies, curated by manuel arturo abreu, AA|LA Gallery, Los Angeles, CA
Man-Thing vs. Swamp Thing, Et al, San Francisco, CA
Another Place and Time, curated by Tim Gentles, The Meeting, New York, NY
W.E.L.T.001–Apophenia, curated by Théo Pożoga, Karin Schlageter, Anna Siebold, gr_und, Berlin, Germany
Digital Distress, Signal – center for contemporary art, Malmö, Sweden
Early Works, curated by Elise By Olsen, New Galerie, Paris, France
Slides 1, organized by Gern and Elliott Cost, Gern en Regalia, Queens, NY
Syllogy, curated by manuel arturo abreu, Veronica, Seattle, WA
(Dys)-tropism, Super Dakota, Brussels, Belgium
“Happy” “New” “Year”, Weekends, New Galerie, Paris, France
2024, Sydney, Sydney, Australia
Adele, curated by Bruno Zhu, Café de Laurierboom, Amsterdam, Netherlands
189 Beach 96th, curated by Justin Caguiat and Irina Lotarevich, Rockaway Beach, NY
Neversink Woods, curated by Betty Roytburd and Anny Oberlink, Neversink Woods, Neversink, NY
Echinacea, curated by Micah Schippa, Obst, Chicago, IL
Redleaf, Sydney, Sydney, Australia
The Appel-Haken Proof, Vermilion Sands, Copenhagen, Denmark
Filter Bubble, LUMA/Westbau, Zürich, Switzerland
After Babel / Poetry will be made by all!, Moderna Museet, Stockholm, Sweden
#catcontent, Kunstpalais, Erlangen, Germany
Eastern Promises, D.E.A.L., Planina Gornja, Zagreb, Croatia
Plowing Solids, curated by Rasmus Myrup, New Galerie at Yves Klein Archives, Paris, France
The Future of Memory, Kunsthalle Wien, Vienna, Austria
Self-Storage, Embassy Gallery, Edinburgh, Scotland
Image and Objecthood, curated by Ana Iwataki, Los Angeles, CA
Nouvelles Expériences en Art et Technologie, curated by Simon Castets and Hans Ulrich Obrist with Julia Boukobza, Fondation Cartier pour l’art contemporain, Paris, France
One Step Ahead Moving Backwards, LEAP, curated by km temporaer, Berlin, Germany
The Office, ACL Partners, curated by Pierre-Alexandre Mateos and Charles Teyssou, Paris, France
Never cargo terminal has recently discovered the trembling hand of state secrets resounding oversold bounce child, curated by Lucy Chinen, Smart Objects, Los Angeles, CA
Surplus Living, curated by km temporaer and Harry Burke, Alte Münze, Berlin, Germany
89plus Marathon, Serpentine Gallery (online), London, England
Month of Photography, Museum of Contemporary Art, Denver, CO
A Clean Well-Lighted Spa, Free Paarking, St. Louis, MO
In Post, curated by Artie Vierkant, Stadium, New York, NY

Awards and Residencies

Berlin Program for Artists, Berlin, Germany
AiR351, Cascais, Portugal
Luso-American Development Foundation grant, Lisbon, Portugal
Kamen, Orah, Bosnia & Herzegovina
lower_cavity, Holyoke, MA
A-DASH SPACE, Athens, Greece
Rupert, Vilnius, Lithuania
89plus/Google Cultural Institute, Paris, France
Sunhoo Industrial Design Park, Fuyang, China

Presentations

Artist talk at Localhosts, Yale School of Art, New Haven, CT
Artist talk at Cultural Center Trebinje, with Temra Pavlović, Trebinje, Bosnia and Herzegovina
Conversation at Museum of Contemporary Art Detroit, Detroit, MI
Artist talk at Signal – center for contemporary art, Malmö, Sweden
Software launch of BUBAMARA-OCR with left gallery, Schinkel Pavillon, Berlin, Germany
Reading with Mónica de la Torre, Alignment, American Medium, New York, NY
Artist talk at home school, Yale Union, Portland, OR
Artist talk at Yale Interactive Design, Yale School of Art, New Haven, CT
Artist talk at University of the Arts, Helsinki, Helsinki, Finland
Artist talk at Luca School of Arts, Ghent, Belgium
Presentation at China Academy of Art, Hangzhou, China

Publications

Exchange Variation / Вариант Oбмена / Varijanta s Razmjenom, book, with Elizaveta Shneyderman, Wendy’s Subway
“Insectropolis”, artist commission for SFMOMA’s Open Space
BUBAMARA-OCR, desktop application for Windows and Mac OS, left gallery
Świat Owadów z jezioro Karatau, print booklet and PDF
Machine that the larvae of configuration: selected readings appendix, PDF, Manila Institute
Voluments 1–14, print, in the archive of Kunstinstituut Melly
A worm computer better at recognizing sketches than a human into a fossil, PDF

Bibliography

Meditz, Stephanie G. “An artist looks at the computations of life itself.” Queens Chronicle. March 14 2024.
“In Practice: Adriana Ramić” at SculptureCenter, New York. Mousse Magazine. March 7 2024.
Bühler, Melanie. “Soft Science Fiction: Adriana Ramić.” Mousse Magazine. April 2023.
Genç, Sinem. “Curator Talks: Ayça Okay.” OGGUSTO. August 2023.
Ezik, Abdullah. “Ayça Okay ile “KarmaComa” Sergisi Üzerine, Anna Laudel Bodrum.” Sanatkritik. July 2023.
Ulusoy, Gözde. “Yaz Melodramı.” Vogue Türkiye. July-August 2023.
Okay, Ayça. “Riga: A city responding to the upheavals provoked by betweenness with art” Stirworld. July 2023.
“The Snowmen of Riga.” PROVENCE. April 2023.
“Left Gallery.” Outland. May 4, 2022.
Begenišić, Maja. “Međunarodna umjetnička rezidencija „Kamen“: IMPRESIVAN PRISTUP KULTURI”. Radio Trebinje, Oct 13 2021.
ENDLESS LONELY PLANET 10, Endless Lonely Planet / Melbourne. 2021.
“spring 24 living boards idiote dagger”. Perilla magazine, ed. Jamie Sterns. May 2020.
Mainberger, Sabine. Linien – Gesten – Bücher: Zu Henri Michaux. p.233. Walter de Gruyter GmbH & Co KG, 2020.
Faber, Susannah. “Opacity in the work of Adriana Ramić.” Center for Curatorial Studies, Bard College, 2019.
”Thinking Images Č Č Č A A Č F.” This is Badland, Summer 2018.
Markbreiter, Charlie. “Adriana Ramić and Micah Schippa, Hotel Art Pavilion, New York.” Flash Art International. May 30 2018.
Doran, Kerry. “re: Contextualizing the Cyborg.” SFMOMA’s Open Space. February 26 2018.
Antaya, Christine. “I den lilla skärmens sken.” Helsingborgs Dagblad. February 3 2018.
Herr, Adrienne, and LA Warman, editors. “Mónica de la Torre | Adriana Ramić.” Alignment. Vol. 4, American Medium, 2018.
Méchineau, Léonard. “Early Works exhibition seen by Léonard Méchineau.” Novembre, December 10 2017.
Filter Bubble, Exhibition Catalogue, 89plus and LUMA/Westbau, December 7 2017.
“I Went out on the Mist.” Recens Paper, volume 7, 2017, pp. 140–143.
Nguyen, Minh. “On illegibility, friendship, + other havens.” aqnb, July 14 2017.
Sanchez, Gabriel H. “Critic’s Pick.” Artforum, May 2017.
Lee, Sunny. “An Interview with Artist Adriana Ramic.” Teeth Magazine, April 28, 2017.
Stobbe, Nikolaj and Vera Østrup. Ny Jord – Tidsskrift for naturkritik, 2016.
Redleaf. Sydney, 2016.
“Un/Certain Place.” O Fluxo, 2016.
“Inspiring the Artist in Everyone.” Goodreads, February 2 2016.
Albrethsen, Pernille. “Forårsudstillingerne.” Kunstkritikk, January 21 2016.
Jauhiainen, Jenna. “Curating for a Brighter Future: Interview with Barbara Vanderlinden.” EDIT, October 15 2015.
School for Curatorial Studies Venice. The Curator as Barman. Automatic Books, 2015.
Sutherland, Morgan, editor. “Monegraph and the Status of the Art Object,” Dis Magazine, February 10, 2015.
Schafhausen, Nicholaus, editor. The Future of Memory, Exhibition Catalogue, Kunsthalle Wien, 2015.
Deiss, Amely, Ina Neddermeyer, et. al., editors. #catcontent. Kunstpalais Erlangen, 2015.
Nouvelles Expériences en Art et Technologie, 89plus and Fondation Cartier, 2014.
Mateos, Pierre-Alexandra and Charles Teyssou, editors. The Office. October 24, 2014.
Homersham, Lizzie. “Artist Profile: Adriana Ramić.” Rhizome, September 25, 2014.
Rhodes, Margaret. “These Finger Paintings Are Actually Complex Ant Pathways.” Wired, August 11, 2014.
Donadio, Rachel. “Technology Driving Young Art.” The New York Times, August 6, 2014.

Education

BFA, University of California San Diego, La Jolla, CA


* forthcoming